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50 Years of Sholay

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Sholay was released on the 15th of August 1975. Fifty years later it remains one of the most iconic, celebrated and loved films in the annals of Indian cinema. Let’s first check-out it’s box office impact which transformed the fortunes of Hindi cinema in the mid 70’s. Planned with an ambitious budget of ₹ 1 crore (2x the budget of a well-mounted Bombay produced film); but the shooting and processing span of 27 months cost GP Sippy Films a staggering ₹ 3 crores. After a dismal start over the first weekend, it gained momentum to become the all-time cultural phenomenon it now is. This happened in an era where there was no social media and with several newspapers and magazines giving mixed and even negative reviews. Indeed, the Emergency had been declared just 2 months earlier. It was word-of-mouth excitement that sparked the Sholay explosion.

Thereafter, even the main-stream media got onto the bandwagon to celebrate its massive collection of ₹ 15 crores in its first run. Sholay had a 50-week (hallmarked as a golden jubilee) run at 28 cinema halls. At Minerva Theatre in Bombay, it was featured for a continuous run spanning an astonishing 5 years. Over the next 7 years of releases and re-releases the film had minted a historic ₹ 35 crores. Many trade experts in 2024 projected the movie’s inflation adjusted earning at around ₹ 2,750 crores. Surpassing the ₹ 2,000+ crores of Dangal (propelled by its humongous success in China) and Bahubali 2 at around ₹ 1,900/ crores. One simple fact to end all debates- Sholay sold more than 25 crore tickets – the highest by any Indian film ever.

Let’s connect with the nay-sayers in August 1975. The country had 11 film circuits including 6 major territories. The Rajesh Khanna starrer, Haathi Meri Saathi (1971) had created a record of ₹ 90 lakh gross in a couple of major territories. But the ₹ 3 crore budget itself signaled disaster. The 198-minute-long film had too much of violence and action and no romance or family values to pull in the crowds; an unknown villain Amjad Khan was pitted against 3 big stars in Dharmendra, Sanjeev Kumar and Amitabh Bachchan. (by the time of the film’s release AB had become the Big B). To make matters worse, Gabbar Singh’s dialogue delivery was considered weak and that too in some rustic dialect; a similar story Mera Gaon Mera Desh with Dharmendra, Asha Parekh and Vinod Khanna had set the box office counters ringing in 1971. Indeed, the tall, well-built Vinod Khanna was impressive in the villain’s role as Jabbar Singh. (Sound familiar? What?). Writer Salim Khan’s father had been a senior police officer in Central India and had talked about a dreaded dacoit called Gabbar Singh in the Gwalior ravines who spread terror by slicing of the noses of those who went against him.

But why has Sholay become such a cultural phenomenon? Why has it become the subject of research for so many social- scientists? There are several dialogues which have entered the common spoken language. Audiences remember names of side characters who barely had screen time for a few minutes. Certain characters and dialogues have contributed to numerous viral and trending memes on YouTube and TikTok. The film itself does not look dated even today. The epic rail chase and encounter with dacoits and the sounds of horse hooves, the steam engine puffing and coaches rattling and rifle shots stunned audiences in 1975. The pulsating back-ground score added the X factor to the 70 MM spectacle as did the expansive lens of the cinematographer, Dwarka Divecha. Even today one wonders how they pulled it off. Delving into some of the back stories surrounding the making of the film may provide some answers about its stupendous impact beyond the darkened single-screen cinema theatres (Author’s note: These nuggets have been mainly consumed from various YouTube interviews of Ramesh Sippy, the director, and the writer duo Salim-Javed + a sprinkling of Sholay  trivia  stock-piled over the years)

What really stands out is the passion, confidence, commitment and teamwork of the entire Sholay unit. Let’s start with producer GP Sippy. Yes, the success of Andaz and especially Seeta aur Geeta (both directed by his son Ramesh Sippy) must have emboldened him. But a ₹ 1crore budget was unheard of in the Bombay film industry at that time. Salim-Javed had approached GP Sippy films with the complete script of what became Majboor which could be wrapped up in a reasonable budget and with limited schedules. However, the film mogul wanted to do something big and Sholay happened. The 27-month shoot in the rugged, rocky terrains of Ramanagara (near Bangalore) and the drastic spike in budget -spend to ₹ 3 crores did not deter the production-house, director, star-cast, technicians and crew from giving their very best. Nothing underlines this more than the fact that when the film’s obituary was being written in the early days after release, Salim-Javed took out full page ads in the Screen and other papers asserting that the movie would gross ₹ 1 crore in every major territory.

GP Sippy Films wanted to retain Dharmendra, Sanjeev Kumar and Hema Malini ( the endearing tangewali Basanti)for their next project after the super-hit success of Seeta Aur Geeta. Amitabh Bachchan was backed by the writer-duo and signed on by Ramesh Sippy after watching his performance in Anand and in the popular Kishore da bus song in Bombay to Goa. Jaya Bahaduri came on board for a small emotional role. Danny Denzongapa was the first choice for the Gabbar Singh character but did not have the dates as he was shooting for Feroz Khan’s Dharmatma in Afghanistan. Again, the just 26-year-old director and the writer team stepped in. Amjad Khan (the son of veteran actor Jayant) and having some theatre experience stepped in. Amjad Khan became Gabbar Singh. The rest, as they say, is history. The debutant actor, himself, gave credit to RD Burman for creating the eerie, unsettling background score when his character was first seen and then adding a palpable aura to his later scenes as well. The Avadhi dialogues became a smash hit with the masses and resonates even 50 years later. ‘Kitne aadmi the?’ (Translation: How many were there?), ‘Ab tera kya hoga Kaaliya?’ (Translation: What will happen to you now Kaaliya?), ‘Yeh haath mujhe de de Thakur!’ (Translation: Surrender your arms to me Thakur- with the implication of cutting his arms off), ‘Bahut yaarana lagta hai!’ (Translation: They look quite close! – said in an amused and calculative way), ‘Holi kab hai? Kab hai Holi?’ (Translation: When is Holi? When is Holi?) have all become part of the spoken lexicon. An interesting trivia is that the cassettes of the Sholay dialogues were specially released on huge public demand and sold more copies than the film’s hit songs.  And let’s listen to Javed Akhtar on why the Gabbar Singh character fascinated the public- ‘…he was pure evil with no back story to justify his cruelty; another reason was that the villain was not a pervert or lecherous, which would have undermined his impact.’

For me, one of the most intriguing aspects of Sholay power is that the names of small characters with limited screen time are still remembered after decades. Gabbar Singh’s side-kick Sambha (played by Mac Mohan) says only three words in the entire film’s run-time- ‘Purre pachas hazaar’ (Translation: A full ₹ 50,000) when the dacoit pointedly asks him about the bounty put on his head by the Government. That too, says Javed Saab, because a supreme egotist like Gabbar can’t boast of it himself. The faithful Sambha has to say it out loud for the other gang members to hear and remember why Gabbar is to be feared- an implicit psychological control over the rest. The venerable and blind Rahim Chacha is remembered for one poignant line, ‘Itna sanaata kyon hai bhai’ (Translation: Why is there so much silence?) when the village is aghast when the body of his dead grandson is brought to the village. The Hitler caricature, bumbling jailor (played by Asrani) has inspired hilarious memes especially with his ‘Aadhe idhar aao. Aadhe udhar jao. Baki hamare saath aao.’ (Translation: Half of you go over there. Half of you over there. The rest follow me- said in a petulant way by a tinpot dictator who is desperately trying to be in command). And who can forget Mausi (so naturally played by Leela Mishra)? And the one-and-only Soorma Bhopali (played by Jagdeep), who entertained us with scenes of situational comedy and flavored by his unique delivery of lines.

Another striking fact about Sholay is that the complete bound script, dialogues and even scene sequencing was handed over to the production house before filming. Only one scene was added and one scene changed. Veeru’s water-tank dramatics was added later to give Dharmendra more screen time, as the star was at the peak of his popularity. Also, in the original film Thakur (Sanjeev Kumar) stamped, kicked and trampled Gabbar Singh to death with his spiked footwear. The CBFC would have none of it and so the cops made their timely entry, arrested the villain and took him away, in a bid for a more palatable ending. When the movie was not doing well after its first weekend, Ramesh Sippy, Salim-Javed and Amitabh Bachchan met to discuss whether the ending with the death of Jai be changed. As by August 1975, Bachchan had become a bonafide superstar with a growing fan following. However, the original death scene remained, as does the legend of Sholay with the fake coin.

As mentioned earlier, the humongous impact of Sholay went far beyond the box-office numbers. Barely a year after it was released, in 1976, Amjad Khan featured in the Britannia Glucose-D ad with the tag-line ‘Gabbar ki asli pasand’ (Translation: Gabbar approved!- Note how the evilest character became  a brand spokesman!). Kailash Surendranath (the admaker) himself remarked on this turn or events, ‘…from being the most feared villain, to the face and brand ambassador of a majorly children consumed product was really something?’ The marketing gold mine was tapped for government campaigns, by major corporates and even down to the Goli Vada Pav joint franchise- ‘Ab goli kha’ (Clever wordplay, where you don’t take the bullet but translation: Have the vada-pav at a Goli franchise) to resonate with the masses.

Even today 50-60 people buy tickets of ₹ 25 each to visit the Ramanagara village- the fictional Ramgarh (off the Bengaluru-Mysuru expressway) to see the rocky locations where the film was shot. On weekends the number of fans goes up to 250. The ticket is ostensibly for the Vulture Park entry, but all the tourists are flocking to see the sites where the iconic film was shot even though nothing related to the film set remains.

As I write this blog, Sholay is being re-released in a 4K restored version (204 mins) at the Toronto International Film Festival. When the film is re-launched in India (re-release is not the word), the senior citizens and the 50+ will throng the cinema halls in millions. The Millennials and the Gen Z may wonder what the buzz is all about and some may even go to end their FOMO (fear of missing out).

The Gift of Captaincy

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On the 19th Jan 2021, the Indian cricket team breached the ‘Gabbatoir’ in Brisbane, Australia. The hosts had last lost a Test there in 1988, against the Viv Richards led great West Indian side. This series win has caused mass frenzy amongst the Indian cricket fans and pundits alike. ‘The Underdog Miracle’, ‘Against All Odds’, ‘A Fairy Tale Win’, ‘The Gabba Heist’ and ‘The Greatest Comeback in Cricket History’ are just some of the awe-struck and superlative reactions and headlines. Social media has gone berserk. After the shameful 36 all out debacle at Adelaide, to pull off the stunning win at the MCG, fight to a stirring draw at Sydney and finally that wonderfully scripted victory at the Gabba seemed unreal and straight off the ultimate feel-good movie triumph. Some of the Indian papers summed up the cricket series thriller with ‘Ajinkya’ (Invincible).

Delve into the sub-texts and one discovers even more astounding layers to the story. The Men in Blue were truly Down-and-Under after the humiliating 36 in the First Test. On Boxing Day at the MCG, the tourists were already depleted without their captain and best batsman and some other major players hobbling along. But then each session, each innings and each Test called out for its own heroes. Debutants and novices and net-practice bowlers rose to the occasion and the national call. As did the few seniors remaining- Rahane, Pujara, Bumrah, Ashwin and Jadeja.  For the decider match, the last three were also ruled out because of injuries. The India XI were reduced to the ‘Hardly XI’ as an Aussie paper put it.

So what was the X-factor? Kohli left on paternity leave after the disastrous First Test. In stepped his understated deputy, Ajinkya Rahane. His astute marshalling of his team and calm disposition played a defining role in what played out thereafter. In a blog I had posted before the WC 2019 (Captain Kohli) I had submitted that the best player does not necessarily the best captain make. Kohli’s undoubted greatness as a batsman notwithstanding. Truly MASTERCLASS. Think about Ian Botham’s dismal stint as the England captain before his break-out Ashes series under Mike Brearley.  Kohli is a force of nature. His passion, his focus and his fitness have left an indelible mark on our cricket. RESPECT. However, his hyper temperament does not make him the right man to lead this Indian side into the sacred pantheon of the All Time Great Teams which demand a sterling overseas track record.

This is not a simplistic debate about aggression vs composure. One of our best captains ‘Dada’ Ganguly was aggressive and even dubbed as arrogant by some. At times he wore his heart on his sleeve. But his cricketing judgments remained sharp and the emotional connect with even the younger members added depth and dimension to his leadership. Remember that he steered the Indian team after the infamous match-fixing scandal and also mentored emerging small town players who later became big names.In the Indian context at least, empathy and bonding and understanding make a big difference- on challenging tours and in big-match situations. The dressing-room environment matters a lot. Come to think of it, Rahane did show a quiet, steely resolve backed up by game-plans and with the entire team on board. But in today’s hyped-up times this may perhaps not qualify as aggressive intent.

So let’s look at the Rahane Effect. Brearley in his book, ‘The Art of Captaincy’ says, “That it is not about winning or losing. It’s about getting the best out of the team you have.” Our stand-in skipper did just that- extracted every ounce of performance from his team, no matter what the situation. He was approachable and the team related to him. The grapevine tells us that he did not tell his men what to do. He just gave them space and re-assurance and they responded magnificently. After all, he counted himself amongst them. The team plays under Kohli. It plays with and for Rahane.

The team-huddle; Rahane with a few key words and a composed tone, with Rohit Sharma, Ashwin, Bumrah, Pujara and Jadeja weighing in. Contrast to Kohli. Mostly a monologue – at times peppered with intensity. Is it any wonder that Bumrah walked back with the debutant Siraj to the top of his run-up. Or that the Indian lower-order batsmen refused to give up. Ashwin and Vihari with back spasms and a hamstring problem. Later Thakur and Sundar stepped up to the plate. Everyone’s contribution counted. Rahane had brought in empathy- the emotional quotient- and this resonated with the players. His special mention of Kuldeep Yadav after the Series win was one with this inclusiveness- this Brohood.

He read the games astutely and keenly. Like introducing Ashwin as first change in the 11th over of the game at the MCG. There was moisture in the wicket. It was a tactical master-stroke. He snared Wade and Smith in his first spell. Ashwin bowled a 12 over spell. Yadav 6 overs, Bumrah 5 overs and Siraj 6 overs. The longish spells allowed the bowlers to find their rythmn and work on their plans. The impatient Kohli had been known to change bowlers after a couple of overs if he sensed nothing was happening. Move to Brisbane on the 4th day. Australia comfortably placed with a 100 run lead and all wickets at hand. The Indian captain continued with his 2 slips and a gully field. Looking for wickets to contain runs. And sure enough, the hosts lost 5 wickets- 4 to catches by the keeper and the slips cordon. Or the decision to elevate Pant to the no 5 position at the SCG and Gabba- repaid in full by the game changing 97 and 89 N.O. knocks. On the 5th day at Brisbane as he walked back after a quick-fire innings he told the incoming Pant to bat out the few minutes before tea. Then revert to his natural self with the bat. Rahane’s calculation was that a target of around 145 was gettable in 35-38 overs if they had a few batters striking good. The clear-headed session by session approach. This when most of India was praying that we would hold out for a draw. The gamble of inducting Washington Sundar into the side with Kuldeep Yadav on the bench underlined the serious strategizing for the finale Test match.

His calmness was a major plus and kept the focus in place. After the racial slurs vented at Siraj by some spectators at the Sydney Test, Rahane stepped in. He firmly complained to the umpires and the referee asking that the guilty be evicted. They had come to play cricket but his players had to be respected. Having stood up for his man the game continued. Or his implacable demeanour when a clearly run-out Tim Paine was ruled not-out at the MCG. Virat Kohli would have ranted. Or his own run-out after a scintillating century on the same ground. He walked up to the disconsolate Jadeja at the other end with a pat and a, “No worry. Keep going. The team needs you.”

Lastly, setting an example as a leader. His impactful century (112) at the MCG turned the narrative for the series. The positive cameo knock (24 of 22 balls) after Gill’s classy 91 on the final day of the Brisbane Test showed India’s intent and kept back the Aussies from an all-out attack. The grit and courage of Pujara, the brilliance from Pant and the aggressive burst from Sundar completed the unbelievable last lap for India. The post-match presentation ceremony where he quickly shifted the limelight to his team and the handing over of the 100 match memento jersey to Nathan Lyon showed humility and grace in abundance (shades of Kane Williamson). Even the hard-boiled Aussies have been bowled over.

Contrast this to the frequent chopping and changing of the Indian team under Kohli (where Shastri had been complicit). Rahane benched for the first 2 Tests on the South African tour despite a good overseas record. The ever dependable Pujara dropped from a Test eleven on this important tour.  Now that both of them have become household names-recall these selection blunders. Bhuvaneshwar Kumar out of the second Test after a good show in the first Test. Whimsical, what!! It is commonly accepted by the experts that our disastrous 1-4 sojourn in England owed much to poor team selection. Two of the matches India lost were fairly close and could have gone our way with the right resources at hand.

His misreading of pitches and conditions has become a regular feature. On a dry Southampton wicket he opted for only one spinner- a half-fit Ashwin. The English went with Moeen Ali and Rashid. The Impact Player- Moeen Ali.  At the new Perth stadium in Australia the skipper got carried away by the history of the ground. We fielded 4 fast bowlers. Nathan Lyon gave the Man of the Match performance. Back to England where the defensive field settings allowed the English middle order to flourish and take control of the matches. Even at the IPL level it has been oft been said that RCB would surely have won a trophy by now if only AB de Villiers had been the captain.

Let me bring in Paddy Upton, a renowned mental coach + a professional cricket coach from South Africa to drive home the point. He had been associated with the Indian cricket squad when Gary Kirsten was the coach. His observations, “Kohli has the fear factor making others insecure and even inferior. Under him the team views everyday details as a chore. When people burden their mind it is hard to get them to be free and to play the game the way it works for them. Kohli is very demonstrative- exuberant in his celebrations but also not empathic on the field whilst showing anger or anguish. His team-mates walk on thin ice, afraid of making a mistake. Once a player tightens up he is no longer the player he is meant to be. On the other hand Rahane is equanimous. His calm and general demeanour allows him to be approachable and relatable to the team.  He has fire and courage within him but controlled. That is why they played so well at the Gabba.” And then the ultimate compliment, “That level of camaraderie I haven’t seen in Test cricket for a while.”

What about Kohli’s handpicked coach- Shastri? This Australia tour has been a boon for him-just being at the right place at the right time. Some of the credit will rub off on him and he will milk and spin it for all it is worth. Especially the so-called rousing speech he gave to the team after the Adelaide debacle- wear this 36 as a badge and it will never happen again.  Shastri is the ultimate Indian cricket establishment figure and so no one will call him out. He is an over-rated loyalist who knows which side of his bread is buttered. Remember his bombast before the WC 2019, calling the team the greatest Indian side ever. A side-kick, a cheer-leader for Virat Kohli- it is high time we found a coach with more professionalism and integrity.

Cricket is a game where the acumen and people- skills of the captain (and coach) really matter. And nowhere is this more tested than in a hard fought Test series. This is the Kohli- Shastri overseas record in the SENA countries since 2017, 1-2 South Africa- 18-19, 1-4 England- 2018, 0-2 New Zealand-2020, and 2-1 Australia- 2018. The context for the last Australia tour which counts as his most famous win is that Smith and Warner were missing and the Aussies were struggling to come out of the sand-paper gate cheating scandal. Else, he is the most successful Indian captain because of wins against the languishing West Indies and Sri Lanka and solid performances on home turf.

Indian cricket is now poised on the cusp of greatness. The best fast bowling attack in our history. Match-winner spinning options. Batsmen who can dig in for hours or change the game in an hour. Tremendous bench-strength. Improved fitness and high confidence levels. But if we have to be rated with the great West Indian teams under Lloyd and Richards or the Aussie teams under Steve Waugh and Ponting, we still have much to prove. Consistent winning performances across formats and dominating overseas tours to the SENA nations.

Despite this wake-up call, Kohli will remain the India captain even for the Tests. At the BCCI no one has the balls to out him. Hopefully, the other players will step out of his aura after this seminal series and stamp their own identity on the field. Perhaps, Virat (Colossus) can reach out to Ajinkya (Invincible) to forge a formidable partnership. Hopefully, Captain Kohli 2.0 will inspire and lead The Men In Blue into Cricket’s Hall of Fame for the legendary cricket teams.

What should change is at the Head Coach position. A Rahul Dravid or a Zaheer Khan can play a defining role and balance out the Kohli excesses. Lest we forget, many of the overnight heroes from the recent tour Down Under,- Gill, Pant, Sundar, Siraj-have been groomed and mentored by Dravid at the India A & Under-19 levels.

Indian Cricket is in for some exciting times ahead. Time to take fresh guard, mark the bowling run-up afresh and set the right field.